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Concept Album: In the Lonely Hour, as the title implies, focuses on a slow and sad-sounding sound because the songs focus on loneliness, sadness, and longing for love.Boléro Effect: The album version of "Lay Me Down"-sadly, on the video version, this bit is toned down.Ambiguous Syntax: The final line of "Leave Your Lover" reads "Leave your lover/Leave him for me." Most would instinctively read it as "leave your lover and be with me," but The Reveal at the end of the music video (as well as the fact that Smith is gay) implies the meaning to be "leave your lover so that I can be with him.".Retrieved 4 October 2017.Oh, won't you trope with me?/'Cause they're all I need: "The Right to Be Forgotten: Why a New Artist's Biggest Battle Is Finding a Way to Delete Their Past". ^ a b c d e f g h i j k l m n o p q r s t u v Joe Allan (2015).Titled Diva Boy, the album was not released despite the announcement. In August 2016, UK label Flipbook Music released the original 2008 version of "Momentarily Mine", and announced the release of the whole album with Smith's pre-fame early recordings for September 2016. Ultimately they commissioned remixes for every track on the album and re-named the collection The Lost Tapes – Remixed. Radically transformed, this song had a similarly widespread release and inspired Kosmo Records to re-examine the entire Time Won't Wait project.
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The following year, "Momentarily Mine" – the piano balled emerged, now simply titled " Moments", under the name Freddy Verano featuring Sam Smith. Thus, in 2013, "When It's Alright", now completely transformed and credited to Juun featuring Sam Smith, was re-released and became a small club hit in Germany and across much of Europe. However, as the deal Kosmo Records made with Venus & Mars Music gave them the right to remix any of the tracks from Smith's unreleased album, it was inevitable that they would surface once they became a marketable name. In 2010, Smith decided to end their association with Venus & Mars Music and walked away from the deal. They had a passion for soul music and their dream was to sing powerful ballads and the type of uptempo pop/soul numbers Whitney Houston had made in the 1980s and 1990s, all of which seemed a long way from the tracks they had so far completed as part of the Time Won't Wait project.
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Smith had little interest in becoming predominantly a dance act. The track made a strong showing on the dance charts but the single, just like "Bad Day All Week", had experienced sluggish sales in the UK. "When It's Alright" was re-promoted in April 2009 with new remixes by German producer, Tom Novy.
#In the lonely hour remixes license
Eventually, a German dance label Kosmo Records approached Venus & Mars Music and signed a worldwide license deal for the track, as well as taking an option to remix the whole of Smith's album for other territories when it was eventually released. While "When It's Alright" hadn't quite broken into the mainstream, it was gaining positive reviews. The remixes transformed the song into a deep house club track. While it was a pop- soul track in its original form, "When It's Alright" had received remix treatment by Kinky Roland, Per Qx and Kid Massive, and was serviced to club DJs. In February 2009, Venus & Mars Music released another single in the United Kingdom, " When It's Alright". They also recorded " Momentarily Mine", a ballad co-written by Lindsey Thompson. Smith recorded "A Little Melancholy", "Show a Little Mercy" and the song that would eventually become the planned album's title track, "Time Won't Wait". However, the remixes gain some traction on a couple of club charts and Venus & Mars Music dusted down more songs from Hemmings, Pearce and Conlon. A music video was also released but the song failed to make much of an impact on the main charts. The single was released in August 2008 with remixes by Kinky Roland and Per QX.
#In the lonely hour remixes series
Ahead of its scheduled release as a single, the decision was made to create a series of dance and club mixes of the song. The first of Smith's recordings to see the light of the day would be " Bad Day All Week", a song written in mid '90s. In 2008, Smith had signed a deal with Venus & Mars Music, a small UK independent label and was given to record songs by songwriting team of Victoria Hemmings, William John Pearce and John Conlon.